Write My Dissertation for Me

In Universities and Colleges professors and instructors assign rather complicated task for dissertation writing and want their students to prepare dissertations in short terms in spite of the fact that writing a dissertation or thesis is a very responsible action to get a necessary academic degree: PhD, Master's or Doctorate. A lot of researches, documentations and literature needed to prepare a good dissertation and get credit for it. Students spend almost all their time in libraries, education centers and particularized academic organizations to write their Ph.D. dissertation, Doctoral dissertation, MBA dissertation or Master’s dissertation in their major: English, Business, Law, Marketing, Management, Medicine, Nursing, Psychology, Philosophy, Sociology, Religion, Theology, Economics, History, Literature, Education, Teaching, Geography, Geology, Anthropology, Chemistry, Biology, Physics, Mathematics, Criminology, Astronomy, Women studies, Consumer studies, Media studies, Tourism, Environmental studies, Asian studies, Diplomacy and Political science, Computer science, Art, Architecture, Archaeology, Sports, Music etc.

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Write My Essay overnight

Academic essay writing is a very responsible action in education of each student. Academic essay writing develops essay writing skills necessary for making decisions and researches, analytics and thinking process. That's why professors and teachers assign academic papers such as essays, term papers, research papers, theses and dissertations to develop students' writing skills.

Essay writing is considered to be one of the most popular occupations of the students who study in School, High School, College or University. Essay assignments are given with the purpose of develop individual approach to writing. That's why essays are often assigned as homework essays. There are a lot of questions that students can ask themselves having some essay writing problems and difficulties, the most typical are: "Which essay writing tips should I follow to write my essay?", "Who can help me write my essay?", "Can I pay somebody to write my essay?" or "Which essay writing service ought I to choose to have my essay written on time?".

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Othello

Othello is portrayed as a passionate and noble hero. He is represented as of honest character and holds a high rank as general in the Venician Army. Although Othello is depicted as a great man, he is also treated as an outsider because of the fact that he is a Moor. The union between Othello and Desdemona is not rendered as wrong to the audience, but shown as being torn apart by the Elizabethan society in 1604. For Shakespeare to give Othello such characteristics, put him at such a high position, and at the same time show how differently he is treated because of the color of his skin, Shakespeare writes a play about racism--not a racist play.

Brabantio and Othello had a good relationship until Iago got between them informing Brabantio of the marriage between Othello and Brabantio's daughter, Desdemona. "Even now, very now, and old black ram is tupping your white ewe. Arise, arise: Awake the snorting citizens with the bell, or else the devil will make a grandsire of you," this was Iago's first attempt to turn Brabantio against Othello (I, i, 88-91). Brabantio is the father of Desdemona, and also the one who appointed Othello as general. When referring to Othello as the General of the Venician Army Brabantio has great respect for Othello. When it comes to the marriage between Desdemona and Othello Brabantio refers to it as "against all rules of nature," yet before Brabantio found out about the marriage Othello tells the Senate about how Brabantio "Еlov'd me, oft invited me; still question'd me the story of my life," (I, iii, 101-129). This shows that Othello's race was not an issue before the marriage, Othello tells the Senate he was often invited to Brabantio's house and there was respect between them.
There is hatred towards Othello from Brabantio because of the marriage that takes place between Desdemona and Othello behind his back. Othello, being a Moor comes out as a big issue, but the fact that Desdemona lied to her father is also a big part of the reason for the hatred Brabantio has towards Othello. Brabantio admits "if she confess that she was half the wooer, destruction on my head, if my bad blame light on the man," (I, iii, 175-176). He finds it unbelievable that Desdemona fell in love with Othello on her own, or was part of the courtship. Brabantio even accused Othello of using magic spells or tricks on Desdemona stating that, "she is abused, stol'n from me, and corrupted by spells and medicines bought of mountebanks; for nature so preposterously to err, being not deficient, blind, or lame of sense, sans witchcraft could not, (I, iii, 60-64).

This play has many racist comments coming from its main characters, but the comments are not made because of the color of Othello's skin, they are made only as a way to attack Othello for other reasons. The characters do not actually have something against Othello because he is a Moor; they have hatred towards Othello for other reasons, and use the color of his skin to strike against him. Iago comes across as the most racist character in the entire play, not only does he act racist towards Othello, but he tries to get the other characters to turn against Othello as well. Iago makes several racist remarks about Othello, but he makes these remarks behind his back because he doesn't Othello to know, since he is in a higher position than him. He doesn't have hatred towards Othello because he is black; his hatred is because Othello didn't give him the promotion that Iago believes he deserved and because he suspects that Othello slept with his wife. Othello chose Cassio, who has no experience in the army, to be his lieutenant. Another character that makes some racist comments is Roderigo, but he also does not carry his hatred towards Othello because of his skin color, but mainly because Desdemona is married to someone else, when he had asked for her hand. Emilia also makes a racist remark, saying "O, the more angel she, and you the black devil," but this is the only time during the play that she comments on his color, and this is out of anger, right after Othello kills Desdemona (V, i, 130-131).

Shakespeare does not use Othello's race to portray black people of lesser value. In fact, the Duke even says to Senator Brabantio, "Your son-in-law is far more fair than black," showing that Othello's positive characteristics are far more important than his skin color (I, iii, 287). Othello may be a minority, but he holds a high place in society. By Othello being black he is more obviously shown as an outsider, without this element the play would lose most of its meaning and value. The outsider quality explains some of his insecurities, which cause his jealous behavior and lead to his downfall. Iago put suspicions in his head about Desdemona having an affair, and OthelloТs already showed that he doubted that Desdemona truly loved him.

This play deals with love, jealousy, and racism. It is not written to make blacks look bad, but fixes on the complications that they must deals with, especially so long ago in an Elizabethan society. Shakespeare shows Othello and Desdemona's love being torn apart by outside sources. The marriage is not depicted as wrong to the audience, but shows that the relationship had to forgo the racist community that surrounded it. Othello is already presented as an outsider because of his color, and by other characters, trying to break apart the relationship for one reason or the other, fixing on his insecurities it all builds up to cause the tragic ending that takes place.

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Hamlet is Not Mad

Hamlet does not have a natural inclination for pretense and dissimulation, rather he develops into a human being that needs pretense to survive. This becomes evident throughout the play, when analysing Hamlets altering ego's and behaviour. It would be a reasonable argument to say he develops a split personality. Hamlet changes from a normal, well-liked man in Act 1, to a man using "madness" as an excuse for his flagrant cowardice in Act 111. The final transition into derangement occurs early in the 1V act, when he refers to himself in the third person. Hamlet is a man that uses this feigned madness originally as a justification for his repeated cowardice.

When analysing Hamlet during Act 1, it is notable that he is normal, confident and outgoing, while talking with Horatio regarding the ghost. However, after he sees the apparition for himself, Hamlet seems slightly over persistent, ensuring Marcellus and Horatio promise their silence about their knowledge of accurances regarding what they have just witnessed. This shows that Hamlet is a very intelligent and aware man. His keeping his friends silent, provides him with a way to plan his revenge for Claudius without him having even the slightest idea - providing surprise.

These are all things that suggest Hamlet was in control of his mind state, and although different, sane at this stage in the play.

Act 11 is a crucial part of the development of Hamlet's madness, as he, for the first time, begins his retaliative plans for Claudius. He lays the foundations for these plans by coming to Ophelia 'with his doublet all unbraced' and essentially acting like a stranger. It is vital to note that two months have passed between Act 1 and Act 11, because it is clear that Hamlet has been 'normal' throughout this preceding time period. This is why Ophelia is so shocked by Hamlets behaviour, and consults her father Polonius in tears. Polonius incorrectly believes that Hamlet is crazy for Ophelias love, and seeks out the king to inform him of what he has learnt. This shows that Polonius also finds this behaviour to be odd, proving Hamlet has changed or acted out of place - not normally.

If Hamlet had in fact been acting normally, then it would be fair to say that he is a natural 'madman' or faker, but he was not. He was enforcing his cunning plan, and it would appear he has created the confusion and controversy he was looking for.

Hamlet continues to dazzle when talking with Polonius during Act 11, sc 11, confirming Polonius' prediction in just one quick conversation. This is absorbing, as Polonius, although sporting a pre-disposed theory on Hamlet's intriguing state of mind, is surprised at what he sees. This is evidence, once again, that Hamlet has not always been like this. There is not even the slightest hint to show he was ever a faker.
One can only assume Hamlet has firstly, control of his mind set, and secondly, that he has used this change of personality as a vital role in his devious scheme for his fathers revenge.

During Act11, sc11, Hamlet shows his intelligent apprehension for seizing opportunities to test the truth of the Ghosts words. He detains an actor, requesting that he perform a play with a few of his own inserted lines. He does this so he can judge whether or not his feigned madness is required any longer. This is a clear sign that Hamlet is in fact only 'performing' as a deranged man, hence he is aware and in charge of his psychological status. These occurrences also confirm that Hamlet is an amazingly well educated and aware man.

In Hamlets second soliloquy (Act11, Sc11 - L:525) he basically questions himself, asking if he is a 'coward'. He goes on to find himself speaking of Claudius and how he plans to 'catch his conscience'. This soliloquy is important as it shows Hamlet is beginning to form an obsession with retaliation and revenge for his fathers murder. It is the start of Hamlets inability to transform at his own will from 'sane' to 'insane'. It would appear as though his selfish comments regarding his mind being too weak to cope with the pressure, have ironically been confirmed.

An interesting thing happens during Act 111, sc 11, that gives the impression Hamlets 'sane personality' can be ruthlessly cruel to others in order to gain what he desires.
In this scene, Hamlet appears to be 'back in love' with Ophelia, flirting with her after he rejected her advances. Unfortunately for Ophelia this sends her over the edge - all because it aided Hamlet in creating a sense of bamboozling behavior. This aids Hamlet, because he destroys ant theory Claudus or Polonius had for his unknown madness.
This scene occurs at the opening of Hamlets adaptatious play, with Hamlet appearing to be excited and eager to witness Claudius' reaction. Hamlet, in a jestive yet educated manner, commentates the occurrences on the stage to Ophelia. It seems as though Hamlet is not concentrating but is surprisingly aware of what is going on. This suggests that he is in a balanced state of sanity and insanity at this integral part of his developing personality.

After Claudius reacts to the trap set by Hamlet (Act111, sc11). Horatio and Hamlet hold counsel regarding what they have witnessed. Hamlet is excited and in definate control of his mental decisions. However, Hamlet rapidly transforms into an inquisitive and hostile manner to his good friends Rosencrantz and Guildenstern.

It should be noted that at this point, Hamlet realises he has slipped into his deranged mind set, and adjusts accordingly. Ironically, only moments later, he is accusing his friends once more. These events show that Hamlet has almost lost entire control of his different personalities. It becomes evident that Hamlet uses his madness as an excuse for his cowardice after Claudius' soliloquy during Act 111 Sc 111. Hamlet sees Claudius praying, providing a golden opportunity to commit his revenge, but denies it due to Claudius' apparent vulnerable state. This indicates that Hamlet is inconsistent with his courage, letting pusillanimity take over the control instead, when action needs to be done. Hamlet creates a poor excuse in madness, which evidently is a reason for his eventual sustained insanity.

A very obvious argument follows up the play, with Hamlet exploding at his mother Gertrude. (Act 111 sc 1V) He confronts his inner conflict in the process, and with a murderous twist kills a spying Polonius. After realizing it was in fact Polonius he has killed, Hamlet shows no sign of repentance, passing it off as something 'the everlasting' wanted. Throughout this conversation Hamlet slips in and out of his personalities, finally leaving in his
'sane' mind set. Amazingly enough, Hamlet goes on to continue his cunning, if somewhat mysterious plan. He tells Gertrude to play along with his act, proving Polonius was correct in saying Hamlet has method in his madness.

Gertrude succumbs to Hamlets wishes (Act 1V sc 1) playing along with his act to Claudius. She describes Hamlet as being 'Mad as the sea and wind' to a sympathetic if somewhat disturbed Claudius. This favour completed by Gertrude, shows that she must believe that Hamlet is not a natural faker, because if Gertrude can tell he is not acting in a pretense manner, then surely he is not a natural faker.

Hamlet takes the final step into insanity and derangement when, during Act 1V sc 11, he refers to himself in a third person. Hamlet says; 'What noise? who calls on Hamlet ?' regarding the arrival of Rosencrantz and Guildenstern. Killing Polonius was the final step for Hamlet. Madness, fear and adrenalin take over any resistance offered by the normal, or sane part of Hamlet. He no longer has the ability to change between 'mad' and 'normal' - he is now a madman.

In conclusion, Hamlet is not a natural faker, but a cowardly man, so intelligent that madness was the only way he could evade the pressure he believed he was under. His slow evolvement into madness originally was a sophisticated way of gaining revenge for his fathers death, and as an excuse for his cowardice. His personal characteristics also changed, going from a well liked confident, outgoing scholar, to being disliked and paranoid. He is an insidious actor and uses this to his advantage by creating a sense of puzzlement and confusion in Claudius' head.

'Do not pull an ugly face, for if the wind changes, you will stay like that for ever.' This old saying is relevant to Hamlet's growth, as the wind changed whilst he was acting out his feigned madness.

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